Fascism TV

I have nothing against cops on TV, per se. Like many others, I think The Wire was one of the best offerings in the history of television. Over the years, I’ve enjoyed Without a Trace, Law & Order and CSI. My new fave rave is Justified.

That said, I’m increasingly tired of the whole genre. It’s gone way beyond the saturation point. In recent years we’ve had The Shield, The Academy, Cold Case, and Flashpoint. Today, we have The Closer, Criminal Minds, Blue Bloods, Hawaii Five-O, Prime Suspect and multiple clones of Law & Order and CSI. We have NCIS and now NCIS: LA.

It gets better. Tuesday nights on CBS, all of prime time is dedicated to cop shows. Last week, I had a gander at the ironically titled Unforgettable. It’s about a beautiful woman cop who never forgets anything. It’s a predictable procedural, but with a twist. In this episode, she tells a bunch of activists to go ‘camp out in the park, knock yourselves out.’ You could cut the sneering condescension with an axe.

Friday night, confronted with a vast wasteland, I had a peek at CSI: New York, which is typically all too forgettable, and with no twist in sight. We find a noble cop talking with his adorable girlfriend. It’s an intimate morning-after scene and all very affectionate — right up to the point where she makes a smirking reference to some “sexually ambiguous” person of interest.

In the cop show called Person of Interest, we recently had the computer-savvy-nerd half of a vigilante team make an approving remark about fracking.

You get the picture.

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